January 11, 2012


dillonbeard:

One of my favorite poems by him.
“escape” from Charles Bukowski’s You Get So Alone At Times That It Just Makes Sense.

dillonbeard:

One of my favorite poems by him.

“escape” from Charles Bukowski’s You Get So Alone At Times That It Just Makes Sense.

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charles bukowski bukowski poem poetry

October 29, 2011


cleversimon:

— Sue Goyette, from Undone
Now that’s more like it.

cleversimon:

— Sue Goyette, from Undone

Now that’s more like it.

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poem poetry sue goyette

September 16, 2011


The person sat opposite you on the bus is not much more than a mayfly in the great scheme of things, given a brief window in the eternity of time to live and to fall in love, to taste strawberries and to ride bicycles and experience cold sores, to have baths that had too much cold water in them and to hate the taste of oysters and not understand poetry. There is so much for each of us to get done and so little time to do it in that we can’t possibly do it without help, so we should make space for one another, clear a path to allow those of us through who need a helping hand.

Jon Richardson, It’s Not Me, It’s You (via mrs-norris)

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September 14, 2011


At a Window

Give me hunger,
O you gods that sit and give
The world its orders.
Give me hunger, pain and want,
Shut me out with shame and failure
From your doors of gold and fame,
Give me your shabbiest, weariest hunger!

But leave me a little love,
A voice to speak to me in the day end,
A hand to touch me in the dark room
Breaking the long loneliness.
In the dusk of day-shapes
Blurring the sunset,
One little wandering, western star
Thrust out from the changing shores of shadow.
Let me go to the window,
Watch there the day-shapes of dusk
And wait and know the coming
Of a little love.

- Carl Sandburg

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September 3, 2011


Mid-Term Break

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o’clock our neighbors drove me home.

In the porch I met my father crying—
He had always taken funerals in his stride—
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were “sorry for my trouble,”
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o’clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four foot box, a foot for every year.

- Seamus Heaney

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seamus heaney mid-term break poem poetry

July 8, 2011


After Making Love We Hear Footsteps

For I can snore like a bullhorn
or play loud music
or sit up talking with any reasonably sober Irishman
and Fergus will only sink deepera
into his dreamless sleep, which goes by all in one flash,
but let there be that heavy breathing
or a stifled come-cry anywhere in the house
and he will wrench himself awake
and make for it on the run - as now, we lie together,
after making love, quiet, touching along the length of our bodies,
familiar touch of the long-married,
and he appears - in his baseball pajamas, it happens,
the neck opening so small
he has to screw them on, which one day may make him wonder
about the mental capacity of baseball players -
and flops down between us and hugs us and snuggles himself to sleep,
his face gleaming with satisfaction at being this very child.

In the half darkness we look at each other
and smile
and touch arms across his little, startling muscled body -
this one whom habit of memory propels to the ground of his making,
sleeper only the mortal sounds can sing awake,
this blessing love gives again into our arms.

- Galway Kinnell

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after making love we hear footsteps galway kinnell poem poetry

July 7, 2011


At North Farm

Somewhere someone is traveling furiously toward you,
At incredible speed, traveling day and night,
Through blizzards and desert heat, across torrents,
through narrow passes.
But will he know where to find you,
Recognize you when he sees you,
Give you the thing he has for you?

Hardly anything grows here,
Yet the granaries are bursting with meal,
The sacks of meal piled to the rafters.
The streams run with sweetness, fattening fish;
Birds darken the sky. Is it enough
That the dish of milk is set out at night,
That we think of him sometimes,
Sometimes and always, with mixed feelings?

- John Ashbery

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June 23, 2011


An Old Whorehouse

We climbed through a broken window,
walked through every room.

Out of business for years,
the mattresses held only

rainwater, and one
woman’s black shoe. Downstairs

spiders had wrapped up
the crystal chandelier.

A cracked cup lay in the sink.
But we were fourteen,

and no way dust could hide
the expected glamour from us,

or teach us anything.
We whispered, we imagined.

It would be years before
we’d learn how effortlessly

sin blooms, then softens,
like any bed of flowers.

– Mary Oliver

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poem poetry mary oliver an old whorehouse

June 17, 2011


poem-a-day #3.5:

fistflight:

I wrote 2 poems yesterday. Here’s my favorite.

Going Places
By A.M. Garcia

I feel like the kind of sunrise no one notices
because everyone is too busy trying to catch a bus.
At least those people are going places.

(Source: unlearn-me)

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Via unlearn me

May 28, 2011


Commencement Address

I love you for shattering.
Someone has to. Just as someone
has to announce inadvertently
the end of grief or spring’s
splurge even as the bureaucracy’s
spittoon overflows. Someone has to come out
the other end of the labyrinth
saying, What’s the big deal?
Someone has to spend all day staring
at the data from outer space
or separating the receipts
or changing sheets in sour room after room.
I like it when the end of the toilet paper
is folded into a point.
I like napkins folded into swans
because I like wiping my mouth on swans.
Matriculates, come back from the dance floor
to sip at the lacrimal glands of chaos,
a god could be forgiven
for eating you, you’ve been such angels
just not very good ones.
You’ve put your tongue
into the peanut canister
of your best friend’s girlfriend’s mom.
You’ve taken a brown bag lunch
on which was writ another’s name.
All night it snows a blue snow
like the crystallized confessions
you’ve wrung from phantoms
even though it is you wearing the filched necklace,
your rages splitting the concrete like dandelions.
All that destruction from a ball of fluff!
There’s nothing left but hope.

- Dean Young, Fall Higher (Copper Canyon, 2011)

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May 24, 2011


Years

Sometimes in weariness I stop.
Because I’ve been lucky
I think the future must be plain.
Over the trees the stars are quite small.

My friends talk quietly
& we have all come to the same things.
Now if I die, I will
Inherit awhile their similar bodies.

Now if I listen
Someone is telling a story.
The characters met.
They enchanted each other by speech.

Though the stories they lived
Were not the same,
Many were distracted into love,
Slept, & woke alone, awhile serene.

- Jon Anderson, In Sepia, 1974

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May 15, 2011


May 8, 2011


May 4, 2011


After Years

fuckyeahpoetry:

Today, from a distance, I saw you
walking away, and without a sound
the glittering face of a glacier
slid into the sea. An ancient oak
fell in the Cumberlands, holding only
a handful of leaves, and an old woman
scattering corn to her chickens looked up
for an instant. At the other side
of the galaxy, a star thirty-five times
the size of our own sun exploded
and vanished, leaving a small green spot
on the astronomer’s retina
as he stood on the great open dome
of my heart with no one to tell. 

- Ted Kooser  

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Via Fuck Yeah, Poetry!

April 28, 2011


Flood

I woke to a voice within the room, perhaps
the room itself: “You’re wasting this life
expecting disappointment.”
I packed my bag in the night
and peered in its leather belly
to count the essentials.
Nothing is essential.
To the east, the flood has begun.
Men call to each other on the water
for the comfort of voices.
Love surprises us.
It ends.

by Eliza Griswold, from Wideawake Field (Farrar, Straus and Giroux, 2007).

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